Eponym Use Promotes Misguided Praise
A recent New York Times article draws attention to an ill-considered problem of using medical eponyms. Beside the fact that these names—like Parkinson of Parkinson's disease—do nothing to illustrate the nature of a disease, they may honor a physician of dubious or even reprehensible character. Such is the case with Friedrich Wegener, the German pathologist who, in the 1930s, described an uncommon systemic vasculitis, now referred to as Wegener's granulomatosis.
In 2006, Alexander Woywodt and Eric Matteson published their investigation of Wegener's Nazi background in the journal Rheumatology, arguing that the German doctor's voluntary association with the National Socialist German Workers Party and his related activities as physician should preclude the use of his name—in more or less tributary fashion—to describe the disease. According to their research of publicly available documents throughout
During that year, Wegener was promoted to lieutenant colonel in the SA medical corps and began working in 1939 as a military pathologist in Łódź,
In files concerning the German regional government of
Woywodt and Matteson acknowledge that their investigation did not reveal Wegener’s unequivocal involvement in war crimes; however, his behavior was clearly in sympathy with, if not direct support of, Nazism. In a related editorial, they recommend that the use of eponyms in medical literature be dropped altogether on the basis of a number of compelling arguments. They summarize,
Eponyms often provide a less than truthful account of how diseases were discovered and reflect influence, politics, language, habit, or even sheer luck rather than scientific achievement. Moreover, the continued use of tainted eponyms is inappropriate….
I would add that the use of eponyms promotes an unhealthy throwback to the adulation and narcissism of the individual physician—particularly the physician of academia. The investigation of Wegener prompts the renewed consideration of other physicians' histories, and not just those practicing within the European theater during World War 2. Case in point is
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